A Simpler Approach to Complexity

 
Monday, April 19th, 2010 at 4:45:57 PM
by Tim Moriarty

WineTastingWheel

What is complexity in wine? I always thought that was a pretty straightforward proposition until a recent conversation with Joe Czerwinski, Wine Enthusiast’s tasting director and my YodaVino.

We were tasting a Torres Mas la Plana ’97, a Cabernet Sauvignon from Spain. Joe admired it very much, while I had a “meh” reaction to it. We sparred for a few rounds, neither giving ground, until Joe got me to entertain this possibility: that what I took to be a relatively simple wine actually exhibited what he called integrated complexity.

A complex wine exhibits different facets in terms of aroma, flavor and mouthfeel. Some of these may even change as the aerates or warms, which can be vexing to the reviewer who wants to nail it down but a great pleasure to the private citizen who finds a new evolution every few minutes. Eventually, it will offer a character with different nuances of spice, wood or caramel-vanilla from the oak; the tannins and acidity will be present—not intrusive, but rather coaxing a galaxy of potential flavors from the fruit.

My assumption has always been that in a complex wine, those elements can be isolated and identified, pleasurably.

What Joe was suggesting is that in certain wines, many of those elements are present, but the wine itself is so well structured, so very much itself, that it’s hard to discern the component parts. And you wouldn’t necessarily want to, because what all such wines do is: they knock you out. You love them, and may not necessarily know why.

This relatively simple revelation had me rethinking some stellar wine experiences, where I was in so much thrall enjoying the wines that I was at a loss (or couldn’t be bothered) to analyze them. Heidi Barrett’s Amuse Bouche; Riccardo Cotarella’s Falesco Montiano; any wine from Domaine de la Romanée-Conti in Burgundy; a Columbia Winery Red Willow Syrah from the late David Lake.

It’s similar to the reaction you get to a work of art that moves you in a way that you can’t quite describe, moves you far beyond how you would evaluate its component parts.

Have you had a similar experience, and which wines moved the earth for you?

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One Response to “A Simpler Approach to Complexity”

  1. Interesting and philosophical–it’s like Gestaltian theory applied to wine tasting. I recently tried and loved the Temis Malbec from Alta Vista, one of Michael Schachner’s top Malbecs of 2009. I can’t name (or really remember at this point) the individual flavors and aromas but I do recall that as a whole it was really pretty amazing.

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